{"id":79,"date":"2014-02-12T22:53:18","date_gmt":"2014-02-12T22:53:18","guid":{"rendered":"http:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/?page_id=79"},"modified":"2014-11-06T18:15:19","modified_gmt":"2014-11-06T18:15:19","slug":"conference-program","status":"publish","type":"page","link":"https:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/conference-program\/","title":{"rendered":"Conference Schedule"},"content":{"rendered":"

Friday, November 7th<\/sup>, 2014<\/span><\/strong><\/span><\/h3>\n

4pm:<\/strong> \u00a0Media Installations Open
\n(Work by Kelly Anderson, Su Friedrich,\u00a0 Barbara Hammer, Natasha Raheja, Paul Sargent, and Hope Tucker will run throughout the conference)<\/p>\n

5:45pm:<\/strong> \u00a0Opening Reception<\/p>\n

7pm:<\/strong> \u00a0Keynote Presentation: \u00a0Brian Winston,
\n“Tsunami Hits Cannibal Tours: Documentary in the 21st Century”
\n(Followed by a discussion moderated by Neta Alexander)<\/p>\n

Saturday, November 8th<\/sup>, 2014<\/h3>\n

10:30am \u2013 12pm: Panel A: The Loop\u00a0<\/strong>
\nLocation: Television Studio, Room HN436
\nParticipants: Samuael Topiary, Toby Lee, Colin Beckett, Tess Takahashi, Pooja Rangan, Josh Guilford, David Bering-Porter<\/em>
\nThis panel circles around the form of the loop, broadly defined, as a documentary image, object, function or problem, exploring ways that looping media complicate our current understanding of \u201cdocumentary\u201d as representation, performative action, and relational structure.\u00a0\u00a0Examining how loops are used in non-fiction media practices as diverse as gallery installations, television news, museum exhibitions, and online media forms, participants on this panel will ask: How do circularity and repetition undermine hierarchical notions of authority? Is the loop political? Is it feminist? How might looping structures both empower and\/or disempower viewers? How does the loop shape the experience of information? What are its affective qualities? And finally, what does the loop do to the notions of \u201ctruth,\u201d \u201creality,\u201d and \u201cinstruction\u201d that are so central to the documentary genre? \u00a0Each of the six panelists will briefly explore a different manifestation of the documentary loop (and related forms of repetition), considering how the loop operates in relation to our present sense of time, labor, learning, and community, and examining the political implications, possibilities, and restrictions we associate with the loop as a form.<\/p>\n

10:30am – 12pm: Panel B: Toward an Ethical Theory of Documentary Production Pedagogy<\/strong>
\nLocation: The Lang Theater, Room HN424
\nParticipants: \u00a0Annette Danto, Andrea Weiss, Lonnie Isabel, Dyfrig Jones<\/em>
\nThis panel offers a range of ways of thinking about core ethical issues in documentary media: responsibility to the subjects, awareness of the power of images and narratives to shape public opinions, understanding of our own position in relation to broader structures of power and privilege. Panelists will present documentary examples from South Asia, East Asia, South America and Africa as well as from Europe and North America. In addition to geographic diversity these media examples will showcase a range of voices from independent minority producers to youth activism on social media to powerful global media industries in the US and UK.<\/p>\n

1:30 – 3pm: \u00a0Panel A:<\/strong>\u00a0 Flying Under the Radar: Altering Reception to Change Perception<\/strong>
\nLocation: Television Studio, Room HN436
\nParticipants:\u00a0 Ernie Larson, Sherry Millner<\/em>
\nWhile documentaries are normally thought of as cultural products produced by filmmakers, and viewed by (relatively) passive audiences, the in-between space, the dynamic terrain where film and viewer meet is both highly significant for documentary and little considered. Outside of the circuits of festival, television, and home distribution lie a variety of spaces of potential that the panelists explore based on their own research and engagement. This panel will focus on a set of practices and thematics that \u201cconstruct a documentary event.\u201d Using a mix of recent and older short films from around the world, they seek to reframe programming around a curatorial thematics designed to offer viewer-participants an engaged relationship with works, one that changes and challenges notions of a documentary as a film-object\/commodity consumable via traditional ‘channels.’ This approach also challenges normative categorizations of documentary into subgenres such as experimental, observational, or journalistic. The panel will include the screening of several short pieces.<\/p>\n

1:30 – 3pm: \u00a0Panel B:\u00a0Beijing Independent Film Festival:
\nThe River of Life<\/b><\/strong>
\nLocation: The Lang Theater, Room HN424
\nParticipants:\u00a0Xin Zhou<\/em>
\nThis session features a screening of the Jury Award winning film from the 2014 Beijing Independent Film Festival, a festival that, as Xin Zhou writes, is \u201chard to say whether [it] really happened.\u201d Zhou will briefly discuss the context of the festival that was shut down by Chinese authorities on its opening day this past August, as well as next steps for the festival and its organizers.<\/p>\n

The River of Life \u751f\u547d\u7684\u6cb3\u6d41<\/b>
\ndir. Yang Pingdao \u6768\u5e73\u9053
\n104 min, 2014
\nAn autobiographical take on the author\u2019s personal struggle as a son and a father, Yang Pingdao puts his camera in his private\/family space, exposing the banal and everyday life of a southern family in contemporary China. This film won the Jury\u2019\u2019s Award at the 2014 Beijing Independent Film Festival.<\/p>\n

3:30 – 5pm: Panel A: Participatory Cultures of Documentary and\/as Social Practice<\/strong>
\nLocation: Television Studio, Room HN436
\nParticipants: Rachel Stevens, Mandy Rose, Jody Wood,\u00a0<\/em>
\nIn this session interactive media producer\u00a0Mandy\u00a0Rose\u00a0and interdisciplinary artist Rachel Stevens will present case studies of collaborative, interactive and social practice storytelling in order to examine notions of agency, participation and audience. Stevens will engage artist Jody Wood and cinematographer Nicola Benizzi in conversation about their process of making a documentary on Wood\u2019s project Beauty in Transition \u2013 a mobile hair salon offering free services at homeless shelters in NYC, supported by a 2014 A Blade of Grass fellowship.\u00a0Rose\u00a0will discuss strategies and projects that might lay the groundwork for a “participatory culture” of documentary. Methods employed by ethically and politically engaged interactive documentary makers operating within the framework of ubiquitous media and networked culture include Kat Cizek\u2019s Manifesto for Interventionist Media and Chaka Films\u2019 use of a participatory design process. From documenting social practice to documentary as social practice, the panel convenes a dialogue about the craft of self-representation and the relationship between documentary subjects, participants and authors.<\/p>\n

3:30 \u2013 5pm: Panel B: The Weak Image: Documentary as Research<\/strong>
\nLocation: The Lang Theater, Room HN424
\nParticipants: Irene Gustafson, Charles Musser, Aparna Sharma, Sabiha Khan<\/em>
\n\u2018Research\u2019 is a ubiquitous yet vague phrase. At once generously used to describe almost any quest for \u2018new knowledge,\u2019 its practices are also heavily regulated by well-established disciplines and research methodologies. This panel examines the phenomenon of documentary media that is produced under the sign of \u2018research.\u2019 Although not a new phenomenon, it is a fascinating genre\u2014 straddling the realms of reading and writing, image and word, art and scholarship and teetering on the edge between legitimacy and illegibility. This panel addresses the intersection of \u2018research\u2019 and \u2018documentary\u2019 through a variety of perspectives.<\/p>\n

7pm: Eduardo Coutinho, Master of the Documentary Encounter<\/strong>
\nLocation: The Lang Theater, Room HN424
\nA short introduction on Coutinho\u2019s contribution to Brazilian documentary with Prof. Ivone Margulies, \u00a0Dept. of Film and Media Studies, Hunter College<\/em><\/p>\n

Screening of Jogo de Cena (Role Play) (Brazil, 2007, 100 min.)<\/strong>\u00a0<\/em><\/p>\n

In this program we pay homage to a seminal figure of Brazilian documentary cinema, Eduardo Coutinho, who died last year. The film, Jogo de Cena<\/em> (2007), continues Coutinho\u2019s exploration of a technique of filmic encounter that promotes inventive forms of self-revelation from his subjects. This aesthetic practice is at work in many of his brilliant explorations of Brazilian society — Santo Forte<\/em> (Powerful Saint, 1999) where Coutinho asks Brazilians to explore their faith and their futures; Babilonia 2000<\/em>, where he culls the Rio de Janeiro favela of Babilonia for people\u2019s inventive speech, and Edificio Master<\/em> (The Master Building, 2002) where a cross section of Riocans living in one former office tower offer us a view of their lives.<\/p>\n

A seminal and rarely seen film in the director\u2019s provocation of everyday people\u2019s expressions and performance, in Jogo de Cena<\/em> Coutinho takes the life\/theatre analogy to its utmost poetic consequences. As Wexner Center curator Chris Stults puts it, \u201cThe film is an exhilarating look at performance, storytelling, the lives of women, the line between fiction and documentary, and so much more. Coutinho placed an ad in a Rio de Janeiro newspaper asking for auditions from women over the age of 18 with interesting stories to tell. A handful of these women then filmed interviews with Coutinho and recount dramatic stories of heartbreak, loss, love, and life. Coutinho then complicates things by having some of Brazil\u2019s finest actresses recreate the interviews with Coutinho, treating the monologues as texts.\u201d<\/p>\n

Q&A with Ivone Margulies and Prof. Marty Lucas, Dept. of Film and Media Studies, Hunter College<\/p>\n

This program is presented with Cinema Tropical.<\/p>\n

Sunday, November 9th<\/sup>, 2014<\/h3>\n

11am \u2013 12:30pm: Panel A: Documentary Infinitude<\/strong>
\nLocation: Television Studio, Room HN436
\nParticipants: Jeanne Finley, Dan Geva, Lynne Sachs<\/em>
\nThis panel will feature two approaches to refiguring the relationship between documentary practice, the maker, and the concrete language of documentary film. Dan Geva will draw on Heidegger’s understanding of time as a \u201cmovement of human finitude\u201d to rethink the role of the documentarian as a kind of temporal crisis. Looking at the extensive lifework of Joris Ivens, he will ask for us to join him in an effort in reinterpreting the Griersonian \u201ccreative treatment of actuality\u201d as a call to creative effort at \u201cbeing-documentarian-in-the-world.\u201d Lynne Sachs and Jeanne Finley will use the work of a variety of filmmakers to look at \u201chow traces of imaginative thinking become imprinted into the cinematic document.\u201d Looking at the work of makers including Sanja Ivekovitz, Christoph Schlingensief, Keith Haring and Omer Fast, they explore how the work of artists who insist on inventing their own visual language must move fluidly between empirical analysis and doubt, between examination and introspection.<\/p>\n

11am – 12:30pm: Panel B:\u00a0Documentary Film: Art or Agenda? Competing Paradigms in the World of Non-Fiction film<\/b><\/strong>
\nLocation: The Lang Theater, Room HN424
\nParticipants: Whitney Dow, Julia Haslett, Jonathan Oppenheim, Jennie Livingston, Joslyn Barnes<\/em>
\nCurrent trends in documentary funding as well as in the form\u2019s broader cultural reception are undermining the documentary art form. Focusing on feature-length films destined for large festivals and\/or TV broadcast, panelists will discuss the push towards a metric-driven formula of social change that instrumentalizes the value of documentaries. It will also look at the ways these films are discussed in the press, which consistently emphasizes their content and neglects their form. From the perspective of maker\/artists, panelists will elaborate on challenges faced, from funding to the impact on process, and they will discuss how the cultural landscape might change in order to support a far more expansive comprehension and appreciation of documentary.<\/p>\n

1:30pm \u2013 3pm: Panel A: \u201cThe Art of Losing Isn’t Hard to Master\u201d<\/strong>
\nLocation: Television Studio, Room HN436
\nParticipants: Barbara Hammer, Natasha Raheja, Paul Sargent, Hope Tucker<\/em>
\nThe four artists will critically engage their creative work, and each other, as they explore relationships between documentary, the body and performance, questions of spatiality and hidden linkages in various networks. Barbara Hammer uses her own body to intervene on medical and poetic forms of imaging in What You Are Not Supposed To Look At<\/em>. Natasha Raheja’s Cast in India<\/em> explores the ways that the built infrastructure of New York City conceals the labor infrastructure that links this city to West Bengal, India. Paul Sargent\u2019s Artificial Corridors: Erie Basin Meets Erie Basin<\/em> navigates the waters of the Erie Canal to document the economic, labor, trade, and nautical relationships between its two termini. Hope Tucker uses the frame of her ongoing Obituary Project<\/em> to transform what we know as a daily form of narrative through a compendium of contemporary salvage ethnography that documents the passing of cultural markers and ways of being.<\/p>\n

1:30 – 3pm: Panel B: \u00a0Building Documentary Cultures With Urban Youth and Their Communities in Neoliberal Times<\/strong>
\nLocation: The Lang Theater, Room HN424
\nParticipants: Steve Goodman, Lora Taub-Pervizpour, and Nitin Sawhney<\/em>
\nThis panel examines youth media\u2019s effort to produce a culture of documentary that creates critical space and opportunity for young people to engage in documentary making as a means to speak back to their structured powerlessness. It will focus in on the growing impact of venture philanthropy currently insinuating neoliberal market-driven initiatives and ideology into the structures and practices of youth media, threatening to dismantle work that grows out of the social documentary tradition.<\/p>\n

3:30 – 5pm: Panel A: Refiguring the Urban Imaginary: Documentary and Gentrification<\/strong>
\nLocation: Television Studio, Room HN436
\nParticipants: Kelly Anderson, Su Friedrich, Betty Yu<\/em>
\nWhile gentrification as a phenomenon has become a commonplace, it is explored perhaps most extensively in the documentary film. This panel will include three filmmakers whose works take on the rapidly changing landscape of Brooklyn. What does it mean to talk about the full dimension of urban experience, from systems of power and policy, often invisible at their roots, to the physical and emotional consequences, often internalized? What are the difficulties and contradictions between the position of documentarian and the position of citizen? What do different approaches offer our understanding? Short segments of My Brooklyn<\/em> (Kelly Anderson, 2012), Gut Renovation<\/em> (2012) will be screened.<\/p>\n

3:30 \u2013 5pm: Panel B: Answers without questioning: talking about affect and documentary with the non-guilty, or what color are the bodies in the room?<\/strong>
\nLocation: The Lang Theater, Room HN424
\nParticipants: Benj Gerdes, Jennifer Hayashida, Ben Foley, Lyell Davies<\/em>
\nDespite the long association of many documentary filmmaking forms and practices with actually existing social movements, struggles, and solidarity, the perceived distance between filmed site or situation and seated audience is still too frequently one which implies that crisis or injustice can be fought and won, but \u201cover there.\u201d This panel first explores some of the conventions of the overdetermination of humanitarian values in social justice documentary that lead to depoliticized and dehistoricized sites of reception. It then proposes some alternatives to reframe the encounter between viewer and site, ones that start inside the room before being allowed to travel outside of it.<\/p>\n

5:15 – 6PM: Conference Wrap Up<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Friday, November 7th, 2014 4pm: \u00a0Media Installations Open (Work by Kelly Anderson, Su Friedrich,\u00a0 Barbara Hammer, Natasha Raheja, Paul Sargent, and Hope Tucker will run throughout the conference) 5:45pm: \u00a0Opening Reception 7pm: \u00a0Keynote Presentation: \u00a0Brian Winston, “Tsunami Hits Cannibal Tours: … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"open","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-79","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/wp-json\/wp\/v2\/pages\/79","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":29,"href":"https:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/wp-json\/wp\/v2\/pages\/79\/revisions"}],"predecessor-version":[{"id":286,"href":"https:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/wp-json\/wp\/v2\/pages\/79\/revisions\/286"}],"wp:attachment":[{"href":"https:\/\/ima-mfa.hunter.cuny.edu\/codesandmodes\/wp-json\/wp\/v2\/media?parent=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}