Wednesday, March 22nd, at 6:30PM
Eyespeak welcomes renowned filmmaker Nicolás Pereda to screen The Palace
Hunter College North Building – Room 502
Please RSVP – Free and open to the public
Nicolás will be in attendance for a Q&A and a conversation about his work after the screening.
Nicolás uses elements and techniques from non-fiction and narrative films to touch upon daily life, society, and relationships of power. The conversation will explore the filmmaker’s collaboration with non professional actors, and the relationship between performance and representation.
The Palace follows the everyday life of seventeen women who live together in a large house for financial and emotional reasons. They help each other with their daily chores and train themselves for various trades in order to obtain a job. The majority of these women will become nannies, domestic workers and private nurses for senior patients.
Thu. Fri. & Sat., March 16th (evening), 17th & 18th
This version of the Codes and Modes Symposium aims to create an intervention into the uncritical excitement about virtual reality, augmented reality, artificial intelligence and machine learning to establish a space for conversations about long-term socio-cultural and neurobiological impacts. Presenters will discuss how theorists, activists and artists can develop useful frameworks to explore the complex implications of using these technologies. Featured speakers include Lev Manovich (Director of the Cultural Analytics Lab, CUNY Grad Center), Mandy Rose (Co-Director of i-Docs), Daanish Masood (Co-Founder BeAnotherLab), and Lina Srivastava (Founder of Creative Impact & Experience Lab), Dan Archer (Founder of Empathetic Media) and Geetu Ambwani (Principal Data Scientist at Huffington Post).
Tuesday, February 21, 2017 6:30 – 8:00pm
Asian American/Asian Research Institute – CUNY
25 West 43rd St. #1000
New York, NY 10036
Film Lab welcomes Filmaker, Educator and Artist Tami Gold for our first Industry Spotlight of 2017, Rising Up Angry: Filmmaking for Social Justice. Tami will share clips and stories from two films: Every Mother’s Son, about three women who lose their sons to police violence and unite for justice and change, and Puzzles, about a hate crime in a gay bar in Massachusetts and the correlation between American economic desperation and homophobia, intolerance, and, ultimately, violence. Industry Spotlight Coordinator Renee Lasher will be moderating!
Come with questions! There will be an open Q&A and opportunities for networking!
The Asian American Film Lab (“Film Lab”) is a not for profit organization dedicated to promote and support gender ethnic diversity in film and television.
Thursday, February 16th 7:00pm
New Media Caucus
Hunter College, Lang Auditorium – 4th floor Hunter North
Free and open to the public.
Here’s the event on facebook
2017 NMC Showcase Presenters
Reut Asimini, MFA student at Hunter College of the City University of New York
Annie Berman, IMA/MFA alumni, Hunter College of the City University of New York
Allison Berkoy, Pratt Institute
Dickie Cox, Monmouth University
Carrie Ida Edinger, Independent Artist
Caitlin Foley and Misha Rabinovich, University of Massachusetts Lowell
Jennifer Gradecki, Michigan State University
Stephen Hilyard, University of Wisconsin Madison
Billi London-Gray, MFA student at the University of Texas at Arlington
Katy McCarthy, MFA student at Hunter College of the City University of New York
Rachel Stevens, Hunter College of the City University of New York
Simone Paterson, Virginia Tech University
Martin Zeilinger, Anglia Ruskin University (Cambridge/UK)
Friday, December 16th 6 – 8pm
iArt 2016 Show
Free and open to the public
Black Box Gallery, Room 543
Hunter College, North Building entrance
69th Street between Park and Lexington Avenues
The iART 2016, an exhibition showing the culmination of the Interactive Installation course taught by Prof. Sha Sha Feng, will present works created by graduate students of the Integrated Media Arts program and undergraduate students of the Film and Media program at the Hunter College this fall semester.
Thursday, November 17th 6pm
Visiting Artist – Tin Dirdamal
Room 502, 5th Floor Hunter North Building at 68th & Lexington Avenue
Invited by Marty Lucas for Documentary 1
The Future Document- topography, autobiographical fiction and the attempt to document the future. A conversation with self-taught Mexican documentary filmmaker Tin Dirdamal; fragments of his current projects, creative processes and doubts.
Tin’s work includes: DeNADIE (2005), RIVERS OF MEN (2011), and DEATH IN ARIZONA (2014). Born in the North of Mexico, Tin seeks to find contradiction in contemporary virtue. A self-taught filmmaker with studies in physics and engineering he has received a Rockefeller Media Artists Fellowship thru the Tribeca Film Institute and grants from the Sundance Institute and AlterCine Foundation.
His films have received awards at more than a dozen International Film Festivals including the Sundance Film Festival, Documenta Madrid and a Mexican Academy Award. He has shown his work at IDFA, Visions du Reel, La Mostra de Sao Paolo, Punto de Vista in Navarra, Spain and on ARTE. All his films have achieved theatrical distribution in Mexico thru Ambulante.
Friday, November 11 at 6pm
Screening and Q&A with Lyric R. Cabral
Lang Auditorium, 4th Floor Hunter North Building at 68th & Lexington Avenue
Hosted by EYESPEAK
Free and open to the public
Award winning filmmaker, producer and photojournalist, Lyric R. Cabral is screening the film she co-created with David Felix Sutcliffe, (T)ERROR, followed by a Q&A.
Winner of a 2015 Sundance Film Festival Special Jury Prize, (T)ERROR follows Saeed “Shariff” Torres, a 63-year-old Black revolutionary turned informant, as he takes on what he swears is his last job for the FBI, and invites filmmakers to document his covert efforts to befriend a suspected jihadist. (T)ERROR explores just how far we are going to prevent terror and exactly what liberties we are sacrificing to get there.
Friday, November 11 at 10:15am
IMA showcase at DOC NYC
IMA MFA is participating in DOC NYC’s upcoming “DOC NYC – U,” program on Friday, November 11th. Our showcase of 9 selected short films begins at 10:15am at the IFC Center- 323 6th Ave. More info and tickets
Selected shorts from current students and recent alumni:
Against the Wind (8:24)
Christopher Nostrand, Tomasz Gubernat
Rahul Chadha, Teodora Altomare, and Daniela Florez
profiles weather-hardened ice yachters on the Hudson River
takes in the sounds, shapes and colors of Coney Island
The Beekeepers’ Keeper (6:43)
Megan Rossman and Samantha Farinella
A New Yorker sets out to realize her dream of owning a farm
Hansu Solo (7:53)
Kaija Siirala and Emily Collins
offers an intimate portrait of a woman in an assisted living home
Eva and Moe (8:00)
A turning point in a woman’s life is captured
One for the Road (11:00)
As she moves from Brazil to NY, the filmmaker looks back at her grandma’s migration as a way to find traces of her own identity.
Oxygen 52 Tatyana Fazlalizedeh (3:00)
profiles the work of a social justice artist
A tight-knit group of Bronx low-riders face the ghosts of their past gang life
I See You (18:00)
unpacks sexting among teenagers
Wednesday, November 9th at 6:30pm
Aronson Awards Film Screening
Hunting in Wartime by Samantha Farinella and Before David by Melissa Saucedo Gonzalez
Lang Auditorium, 4th Floor Hunter North Building at 69th between Lexington & Park Avenue
Free and open to the public
Samantha Farinella won the Aronson Award for Documentary Feature. Her film, Hunting in Wartime profiles Tlingit veterans from Hoonah, Alaska who saw combat during the Vietnam War. The veterans talk about surviving trauma, relating to Vietnamese communities, readjusting to civilian life, and serving a government that systematically oppresses native people. Their stories give an important human face to the combat soldier and show the lasting affects of war on individuals, families and communities.
Melissa Saucedo Gonzalez won the Aronson Award for Documentary short film. Her film, Before David, is an autobiographical portrait of her experience with Prenatal depression. The film also reflects on the constructed image of pregnant women in western society.